Wednesday, June 13, 2007

A reply to 'when a boat is or is not a boat'

In a recent blog entry K-punk has asked the question of when is a boat a boat? In attempt to answer this question I want to remove it from the linguistic nature of the question, which is directed at asking when the signifier can, or cannot be, attached to the signified. This assumes there is some natural ‘boatness’ form that functions under the ideas of ideal type or natural kind. The problem with this approach is it gets caught in trying to understand the social conventions (idealism) of labelling a boat and neglects to focus on the deeper physical process that are far more important for creating and destroying the boat. In short, the linguistic focus concentrates on identity, where I want to shift the focus to becoming.
Rather than thinking of how a boat is created in language I feel the focus should be to concentrate on the non-discursive factors that are involved in creating and destroying a boat. Far from a boat being an eternal archetype a boat is a product that is produced through a process of individuation. Every boat is a becoming that is produced at a particular point in time through the use of intensive forces. This, for example, could be the pressure of the saw used to saw the pieces of wood, or the force of the hammer used to insert the nails into the wood. However, far from arguing that the boat is a final cause of these intensive processes it is instead a duration that contains its form for a particular amount of time. Other intensive forces may cause this boat to transform and become other. This could be the pressure of waves from the sea or the speed from a projectile thrown at the boat. The important point about this is the focus turns away from thinking about a particular instance and a general type to one of the relation between the whole and the parts. This puts the focus on casual relations rather than the linguistic conventions of asking when a boat is a boat. There are therefore no natural traits for a boat being a boat, but rather the understanding of the intensive morphogenetic processes that can give rise to and destroy a boat. This can be some up by a quote from DeLanda discussing Deleuze:

Deleuze, of course, would not deny that there are objects in the world which
resemble one another, or that there are entities which manage to maintain their
identity through time. It is just that resemblances must be treated as mere
results of deeper physical processes, and not as fundamental categories on which
to base an ontology (ISVP, 2002, p38-39)

From this position I am therefore uninterested in when language allows me to call something a boat or not, but rather more interested in the ‘deeper physical processes’ that have created the boat, maintain its duration, and destroy it to become other. This seems more advantageous as starting from identities risks relying on some essence (e.g. the essence of a boat that allows me to call an object a boat) and instead recognise identities are mere results of other forces, which are not fixed or essential.

Tuesday, June 12, 2007

Deleuze conference at the Tate

I just come across this on the web and well worth a look. The tate had a two day conference on Deleuze and posted it online here. Speakers include DeLanda, Hallward, Badiou, and much more.

Sunday, June 10, 2007

More DeLanda stuff

sorry about the lack of posts recently. I'm overseas for fieldwork (without my books) and my memory is nothing without constant referal to them. I think Nietzsche would be proud about my power to forget! Anyhow, for the time being here is more DeLanda stuff.



his anotated bibliography can be found here, and a 3 hour presentation given to the tate can be found here.

Tuesday, June 5, 2007

Shaviro on Whitehead & Deleuze

Steven Shaviro has posted a draft chapter of his article on Deleuze's encounter with Whitehead

The paper is well worth a read, especially for people like me who have never read any Whitehead.

Saturday, June 2, 2007

Manuel DeLanda's Deleuzianism: Against essentialism

I’ve recently been reading through some of the work of Mexican born ‘street’ philosopher Manuel DeLanda, particularly his book Intensive Science and Virtual Philosophy (ISVP), and viewing some of his lectures online. This has been a challenging experience for me as he draws on the mathematics and physics that influenced Deleuze (and himself), subjects that have long sine been alien to me. However, DeLanda has helped me to construct, or understand Deleuzian ontology, which is best regarded as an open whole without essences. In what follows I shall write positively about DeLanda, but in later blogs I will compose critiques of his approach.
The issue of essentialism has been something that has always played on my mind, and something I have always felt uneasy towards. However, until reading DeLanda, my criticism of essentialism has come from the realms of cultural criticism, arguing there is no essential way for people to live, demonstrated by the different cultures in the world. This type of argument would come from a social constructivist position, aiming to stress how individuals and cultures construct their own worlds; while this argument has a lot of merits, the work of DeLanda appears to offer a more concrete (and dare I say more objective) critique of those philosophers aiming to uncover essences to explain identity (e.g. uncovering an essential human nature to give an identity to man).
In ISVP DeLanda begins by giving a short description of a Deleuzian ontology:

‘In a Deleuzian ontology…a species (or any other natural kind) is not defined by essential traits but rather by the morphogenetic process that gave rise to it. Rather than representing timeless categories, species are historically constituted entities, the resemblance of their members explained by having undergone common processes of natural selection and the enduring identity of the species itself is guaranteed by the fact that it has become reproductively isolated from other species’ (ISVP, 2002, p10)

The important point is there are no timeless essences that form species and instead an acknowledgment of historical contingencies. One example could be a species, who are reproductive, living in an ecosystem are separated by a river entering into that ecosystem, which separates the species. After a period of time this separation could create two different types of species that can no longer reproduce with one another. Rather than the species being formed by a timeless category (a transcendent factor), species are considered from their form-generation in terms of ‘resources which are immanent to the material world’ (ISVP, 2002, p10). This is what DeLanda terms as ‘the idea of progressive differentiation’ (ISVP, 2002, p16), where life has the power to differentiate and become something different than it was before (the same argument made by Deleuze in Difference & Repetition). In short, there is no Being (a personal god) that provides the blue print for beings, but instead a continual becoming with no final product.
While this example may take us away from Platonic essences, Aristotle’s ‘natural states’ are not transcendent but immanent, and this is an issue DeLanda considers. The problem with Aristotelian philosophy, for DeLanda, is that while it is non-essentialist it ‘is still completely typological, that is, concerned with defining the criteria which group individuals into species, and species into genera’ (ISVP, 2002, p38). DeLanda gives the example of the botanical taxonomies of Linnaeus to illustrate Aristotelian typology in practice, which took resemblance as its departure point, and these resemblances created identities to assign individuals to an exact place in the table. The problem with this table is it constructed a natural order that was fixed and continuous, which did not allow time itself to be considered as a constructive role in the generation of types (ISVP, p38). Four elements informed this table (and many others tables): resemblance, identity, analogy, and opposition, and following Deleuze, DeLanda thinks these four categories are to be avoided. DeLanda writes:

Deleuze, of course, would not deny that there are objects in the world which resemble one another, or that there are entities which manage to maintain their identity through time. It is just that resemblances must be treated as mere results of deeper physical processes, and not as fundamental categories on which to base an ontology (ISVP, 2002, p38-39)

Simplifying this argument somewhat, we can look at the example of a identifying a particular animal. In the Linnaeus type of taxonomical system we could identify a particular animal by relating it to a gerenal form, which that particular animal would have to resemble for it to be identified as an animal. This is how the general and particular interplay, where we have an agreed (idealised) general form, which the particular gains its identity through being related to a general form. From DeLanda’s perspective this system does not go far enough, and should take into account the forces that allows for such judgements, where we should look at the individuation processes that are historically constituted. In terms of the animal we could look at how a particular animal was created as a concrete universal or how the animal became a ‘natural kind’ in the world that has its creation in history. Importantly, the species of the animal is not essential and could become extinct, which demonstrates how natural categories actually refer to historically constituted individuals that can disappear from life (e.g. dinosaurs). This process would also allow for the role of time to as part of the constructive process. The phrase ‘Always Historize!’ by Frederic Jameson seems relevant here, but in a different, and more complex manner than he intended.
In short, DeLanda argues not to focus, or begin from identities, as these identities are mere results of other forces. Following Darwin, he argues that species are born not from essences but from a particular point in time and can die from extinction. However, unlike Darwin DeLanda thinks we should consider species as individuals, and not as kinds. This moves us away from a particular instance and a general type, to one that considers the relationship between the whole and the parts. DeLanda writes:

Unlike the relation between a particular instance and a general type, the relations of parts to whole is casual: the whole emerges from the casual interactions between components and parts (ISVP, 2002, p57)

Species separation is therefore a causal relation, where something has intervened to cause reproductive isolation. The above example of the river creating two individual species from one demonstrates how this could occur.
I will write a lot more about DeLanda in the future, but I think the point of this blog entry is to argue against those people who create reason from essential features. From my perspective this is a claim for a transcendent reality that structures and provides the blueprint for life. Instead we should see identities and species as historically constituted products, but products that have no final form. I have yet to read Bergson’s creative evolution, but maybe this is the point he was arguing?

Friday, June 1, 2007

Deleuze as a realist?

Here are some links to presentation given by Manuel DeLanda at the European Graduate School, where he argues that Gilles Deleuze should not be understood as a pomo, but as a realist, which allows for the possibility of constructing a neo-materialism philosophy. (For a more detailed account look his book 'Intensive Science and Virtual Philosohy'). This, i believe is one of the most relevant moves in contemporary philosophy, as it makes a strong connection between continental philosophy and analytical philosophy. The links should be in the correct order.
http://www.youtube.com/watch?v=IKIsA8yhP58
http://www.youtube.com/watch?v=52IAUvfXHaQ
http://www.youtube.com/watch?v=HN_G7kmE2VU&mode=related&search=
http://www.youtube.com/watch?v=HN_G7kmE2VU&mode=related&search=
http://www.youtube.com/watch?v=Y7Z48KTYdIw&mode=related&search=
http://www.youtube.com/watch?v=G2Ye5YaclTk&mode=related&search=
http://www.youtube.com/watch?v=VE6mcoAi-XY&mode=related&search=
http://www.youtube.com/watch?v=l-aHOKZjlfc&mode=related&search=
http://www.youtube.com/watch?v=iGj9M6zLZfg&mode=related&search=

Thursday, May 31, 2007

v for vendetta

I have been back reading the blog entries on Steven Shaviro’s blog (http://www.shaviro.com/Blog/?cat=3) and an interesting discussion on the film V for Vendetta caught my intention. After recently seeing the film I had the thought of writing a paper on what the film can tell us about Hardt and Negri’s concept of the multitude as a force for political agency. However, after reading the excellence discussion about the film on Shaviro’s blog I will have to re-arrange my thought. I would like to thank the people who commented on his blog entry and especially those who introduced the term ‘destitute subject’, something I will now have to read into.
What I want to discuss in this blog entry is something that previous discussions on Shaviro’s blog have not taken into account, which is how, what Deleuze would say the peaks of present reveal the sheets of past. In simple terms, how the film reveals how the present was created from the past. The reason I want to discuss this point is because the film tells the viewer something very interesting about how the fascist government/dictatorship came into power, where the people desired their own repression and the repressions of others to give power to the party. To understand this point of view I first shall quote from Anti-Oedipus:

‘(Wilhelm) Reich is at his profoundest as a thinker when he refuses to accept ignorance or illusion on the ‘part of the masses as an explanation of fascism, and demands an explanation that will take their desires into account, an explanation formulated in terms of desire: no, the masses were not innocent dupes: at a certain point, under certain conditions, they wanted fascism, and it is this perversion of the desire of the masses that needs to be accounted for’(AO, p31).

Through referencing Reich Deleuze and Guattari aim to assert that no fascist party can merely take hold of government, but instead, and more worrying, for fascist rule it to come into power, it has to be desired by the people (or at least some of the people). Certain scenes from V for Vendetta appear to illustrate this point. The first one is when V (the ‘hero terrorist’) addresses all the people of England/UK and while acknowledging certain people are more to blame than other he states that ‘truth be told that to look for the guilty you’d only need look in a mirror.’ It is this sentence where V directly claims that the people are responsible for living in a fascist state; it is them who desired this situation. The second scene, which focus is a flashback given by a disguised V to the police, reveals more about how the people desired fascism and their own repression. The clearest example is how the fascist party was democratically voted into power, thus showing ‘at a certain point, under certain conditions, they wanted fascism.’ (AO, p31).
Of course, the ‘certain conditions’ are very important factors that needs to be taken into account, and help us to understand why people desire repression of not only others but themselves. One of the key factors, if not the key factor, is the use of fear to create a circumstance where people would desire fascism (Brain Massumi’s work is very relevant on this issue). Is not the politics of fear causing people to relinquish certain civil liberties as a sacrifice for the war against terror(ism)?
One other short point on the film can be made about the use of masks in the film. From my perspective the mask V uses, and gives to the rest of the people, presents a sort of non-identity politics, where the identity and history of V is unimportant (to a degree), and rather it is the message and affects he creates that are important. The people/masses all wearing the masks at the end and taking them off to watch parliament blow up also spoke about the politics of the multitude, where people can united (they all were the masks) but remain different (revealed through their various identities when they unmask themselves). I think this message in the film strikes at the heart of Hardt and Negri’s concept of the multitude, where people can united as whole, but do not need to lose their difference to a totalising whole that subsumes difference.